Infobox
Book Information
Type Name Source Morrowind
Sermon One
He was born in the ash among the Velothi, anon Chimer, before the war with the northern men. Ayem came first to the village of the netchimen, and her shadow was that of Boethiah, who was the Prince of Plots, and things unknown and known would fold themselves around her until they were like stars or the messages of stars. Ayem took a netchiman’s wife and said:
‘I am the Face-Snaked Queen of the Three in One. In you is an image and a seven-syllable spell, AYEM AE SEHTI AE VEHK, which you will repeat to it until mystery comes.’
Then Ayem threw the netchiman’s wife into the ocean water where dreughs took her into castles of glass and coral. They gifted the netchiman’s wife with gills and milk fingers, changing her sex so that she might give birth to the image as an egg. There she stayed for seven or eight months.
Then Seht came to the netchiman’s wife and said:
‘I am the Clockwork King of the Three in One. In you is an egg of my brother-sister, who possesses invisible knowledge of words and swords, which you shall nurture until the Hortator comes.’
And Seht then extended his hands and multitudes of homunculi came forth, each like a glimmering rope through the water, and they raised the netchiman’s wife back to the surface world and set her down on the shoals of Azura’s coast. There she lay for seven or eight more months, caring for the egg-knowledge by whispering to it the Codes of Mephala and the prophecies of Veloth and even the forbidden teachings of Trinimac.
Seven Daedra came to her one night and each one gave to the egg new motions that could be achieved by certain movements of the bones. These are called the Barons of Move Like This. Then an eighth Daedroth came, and he was a Demiprince, called Fa-Nuit-Hen, or the Multiplier of Motions Known. And Fa-Nuit-Hen said:
‘Whom do you wait for?’
To which the netchiman’s wife said the Hortator.
‘Go to the land of the Indoril in three months’ time, for that is when war comes. I return now to haunt the warriors who fell and still wonder why. But first I show you this.’
Then the Barons and the Demiprince joined together into a pillar of fighting styles terrible to behold and they danced before the egg and its learning image.
‘Look, little Vehk, and find the face behind the splendor of my bladed carriage, for in it is delivered the unmixed conflict path, perfect in every way. What is its number?’
It is said the number is the number of birds that can nest in an ancient tibrol tree, less three grams of honest work, but Vivec in his later years found a better one and so gave this secret to his people.
‘For I have crushed a world with my left hand,’ he will say, ‘but in my right hand is how it could have won against me. Love is under my will only.’
The ending of the words is ALMSIVI.
Sermon Sixteen
The Hortator wandered through the Mourning Hold, wrestling with the lessons he had learned. They were slippery in his mind. He could not always keep the words straight and knew that this was a danger. He wandered to find Vivec, his lord and master, the glory of the image of Veloth, and found him of all places in the Temple of False Thinking. There, clockwork shears were taking off Vivec’s hair. A beggar king had brought his loom and was making of the hair an incomplete map of adulthood and death.
Nerevar said, ‘Why are you doing this, milord?’
Vivec said, ‘To make room for the fire.’
And the Hortator could see that Vivec was out of sorts, though not because of the impending new power to come. The golden warrior-poet had been exercising his Water Face as well, learned from the dreughs before he was born.
Nerevar said, ‘Is this to keep you from the fire?’
Vivec said, ‘It is so that I may see with truth. It, and my place here at the altar of Padhome in the house of False Thinking, serve so that I may see beyond my own secrets. The Water Face cannot lie. It comes from the ocean, which is too busy to think, much less lie. Moving water resembles truth by its trembling.’
Nerevar said, ‘I am afraid to become slipshod in my thinking.’
Vivec said, ‘Reach heaven by violence then.’
So to quiet his mind the Hortator chose from the Fight Racks an axe. He named it and moved on to the first moon.
There, Nerevar was greeted by the Parliament of Craters, who knew him by title and resented his presence, for he was to be a ruling king of earth and this was the lunar realm. They shifted around him in a pattern of entrapment.
‘The moon does not recognize crowns or scepters,’ they said, ‘nor the representatives of kingdoms below, lion or serpent or mathematician. We are the graves of those that have migrated and become ancient countries. We seek no Queens or thrones. Your appearance is decidedly solar, which is to say a library of stolen ideas. We are neither tear nor sorrow. Our revolution succeeded in the manner that is was written. You are the Hortator and unwelcome here.’
And so Nerevar carved at the grave ghosts until he was out of breath and their Parliament could make no new laws.
He said, ‘I am not of the slaves that perish.’
Of the members of Parliament only a few survived the Hortator’s attack.
A surviving Crater said, ‘Appropriation is nothing new. Everything happens of itself. This motif is by no means unassociated with hero myths. You have not acted with the creative impulse; you fall below the weight of destiny. We are graves but not coffins. Know the difference. You have only dug more and supplied no ghosts to reside within. Central to your claim is the predominance of frail events. To be judged by the earth is to sit on a throne of wonder why. Damage us more and you will find naught but the absence of our dead.’
The ending of the words is ALMSIVI.
Sermon 28
Then Vivec left Seht to look after the dome-head demon and went back to the space that was not a space. From the Provisional House he looked into the middle world to find the fifth monster, called The Ruddy Man.
When the dreughs ruled the world, the Daedroth Prince Molag Bal had been their chief. He took a different shape then, spiny and armored and made for the sea. Vivec, in giving birth to the many spawn of his marriage, had dropped an old image of Molag Bal into the world: a dead carapace of memory. It would not have been a monster if a Velothi child had not wanted to impress his village by wearing it.
The Ruddy Man, of the eight monsters, was the least complicated. He made those who wore him into mighty killers and nothing more. He existed in the physical. Only geography makes him special.
When Vivec found him near the boy’s village, anon Gnisis, there was a violent clash of arms and an upheaval of the earth. Their battle created the West Gash. Wanderers that still go there hear still the sounds of it: sword across the crust, the grunt of God, the snapping of his monster child’s splintered legs.
After his victory, Vivec took the shell of The Ruddy Man to the dreughs that had modified his mother. The Queen of Dreughs, whose name is not easy to spell, was in a period of self-incubation. Her wardens took the gift from Vivec and promised to guard it from the surface world. This is the first account of dreughs being liars.
In ten years, The Ruddy Man appeared again, this time near Tear, worn by a wayward shaman who followed the House of Troubles. Instead of guarding it, the dreughs had imbued the living armor with mythic inflexibility. It molted soon after skill-draping the shaman and stretched his bones to the five corners.
When Vivec met the monster in battle again he saw the remains of three villages dripping from its feet. He took on his giant form and slew The Ruddy Man by way of the Symbolic Collage. Since he no longer trusted the Altmer of the sea, Vivec gave the carapace of the monster to the devout and loyal mystics of the Number Room. He told them:
‘You may make of The Ruddy Man a philosopher’s armor.’
The mystics began by wrapping one of their sages in the shells, a series of flourishes by two supra numerates, one hormonally tall and the other just under his arms. They ran around the carapace and through each other, applying holy resin drawn from the carcasses of the now-useless numbers between twelve and thirteen. Golden straws were quickly stuck through the mythic epidermal so the sage could breathe. After the ceremonial etchings were drawn into hardening resin, long lists of dead names and equations whose solutions were to be found in the mouth of the Chimer inside, there came the illuminations, inscribed by the bright, terrible fingernail of Vivec. From the nail’s tip flowed a searing liquid, filling the grooves of the ceremonial etchings. They bled out to form veined patterns about the sage-shell that theologians would decipher forever after.
The ending of the words is ALMSIVI.